Sunday, September 29, 2013

...Eulogy of the last Father of Earth...(io9.com concept art writing prompt)...

The solemnity of the day would be lost on many.  There were very few in attendance, although there shouldn't have been one person in the System that would not have heard that Gerald Sivly had died.

We had risen early.  His body had been prepared the night prior.  He was stripped of his clothing, but for a loin cloth out of modesty.  Interred in a lead casket, the only items that were allowed were reactive rods.  One symbolized intrinsic hope, one was regeneration and the last was for humanity.  Even after only two generations since we fled to the oceans, the young were already forgetting the last one.  That is why I wrote into the Law: that we never forget.

We once inhabited a world with land.  We were able to run in fields of grass, under trees.  There was life teeming on the planet.  Gerald Sivly was the last to see all of this in its last grandeur.  I stared into his eyes after he had passed it I felt the heavy pull of loss - loss at the man and loss of his memories.  His eyes had seen streets, and cars.  He ran among them.  He was a child when they ran into the oceans to escape death.  It was seventy years ago now.  The eyes had lost its light.  He was no more.

I held his hands for a time.  Even as a child his hands were cut and calloused as humanity pulled together to build what would now be called the System.  If it wasn't for him and the 400,000 strong force, there would be little left of the human race and the handful of land species still alive here.  We were three million strong now.  Three million strong and still petty, still selfish.

That many stout and strong people in the massive structure we had worked on daily, and only a handful to pay tribute.  It makes me sick to think on it.  The casket topped the rise and my closest family and friends came with him.  I had come earlier.  I needed time where I can be alone.  It was quiet here in the fields.  Only larger predators would pass through here, so it was relatively clear.  The sharks knew to leave us alone now.  But only thanks to Sivly and the strength of the frontiersman.  It could have appeared, at the tail of the last century, that the strength of humans was abandoned to technology.  But the cosmic dance brought us a storm of comets.  Unrelenting, they came bringing fire and water.  The world finally tipped and water took the place of the remaining land.

Billions succumbed.  Sivly would tear up at that: the waters were filled, for months, with the bodies of the dead and dying.  Families tied themselves together.  Children, clinging to life, found floating on them.  Ultimately they became a part of the sea.

The pallbearers stopped at the foot of the grave.  This place was for the distinguished.  I turned on the intercom.  Anyone inside would be able to hear if they wanted.  I had a feeling they would not.

"Gerald Sivly said, of himself, he shouldn't have lived.  I paused when he intimated this to me, one quiet night years ago, when the power had blown during the typhoon of '46.  I didn't know what to say - I know now, of course.  I would have said if it wasn't for you we would not be a federation of peoples, but dissolved into tribes.  The great Improvement made forty years ago now.  The survey corps.  Life.  What things would I attribute to you now."  I paused when I spoke of him directly.  Why would I do that?

"Sivly can be directly attributed to our ability to stay alive.  More importantly, we thrived.  We have all felt that pang: the too familiar pang we share when events sour, when life makes us dig through hardscrabble to just get by.  But we have thrived.  Just a few years ago, we formed a library.  Our children, in the first time in decades, can feel safe enough to create art: in my lifetime, in Gerald's lifetime.

As we lay him into the soil that once was Earth, where he was born, where he once played," I nodded to them and they put him into the soil.  The light dust blew upwards with the weight, clouding the sea around us.  "We should remember to keep our heads up, as he taught me.  He never flagged.  I wouldn't say that he didn't fail, we all do - but he showed, in action, to keep driving forward.  He worked until he died."  I paused.  I didn't do it out of dramatics, we knew nothing of them anymore - I did it because it felt right to pause and think of him again.

The thousands of times I visited his workshop, but I would remember this singular time: he stood in a shaft of light that had drifted through dozens of feet of clear ocean.  The light stayed still long enough to be queer to me.  It was as if he was lit by some entity far above us.  It was lit for me to remember him, I knew that much.  He smiled at me.  The light made his ears translucent.  His skin was frail even then.  But there was a glow.  He had animus, he was creating a new tool at his desk.  Another tool for us.  A tool he remembered or divined.  Either way, it was for us.  I will not forget this.

"It was an honor to know him.  We commit him to the ocean.  He will become part of that which he fought so desperately to avoid.  But so shall we all."

I stood behind as everyone left.  Their figures blurring in the distance, the ever present rise of bubbles from their masks.  The dust had settled some time ago.  Most of the disruption we caused had already smoothed here.  The light was fading.  I touched his grave stone and didn't want to leave, like I was a child again.

May my life be even a pale reflection of yours.  May I lead these people to a better place.  Thank you, father.

I turned and walked quickly, the dwindling dancing light slowly fading in the afternoon, the angular lines of broken cities in the periphery of my vision.

Vitaliy Shushko - io9 Writing Prompt

Tuesday, September 24, 2013

...Where I Am...9/26/13...

I stood alone, although she with me, and the silence cooled the air
What I had said, could not be caught, it steeled her glance
A thieving quip had stole my love and stole her shine for me
She was fair and fairer more with her love subdued
And I loved her more for hating me: for what else then could I do?
Patience is not the suit of men and less the crown of me
I've waited long, I've waited fair that she would come to me
And there she was and the ground did swell about
Proclamations in a glance and declarations in a breath
None before or since, none since or before, I say again
Again I say it, to linger in the air that it may to her abate
Her mood.  Can such a thing be said by the very few
Before or since could say the same could stand the same
Yet here I am and here are you, before or since.

She left, she went to adorn the halls of palaces
With pretty boys, they prate and whisper draughts
Distilled of wantonness.  Twisted pillars arise
And art is left to settle its score with time and easy fancy.
Though don't doubt that I doubt where I roamed
In cover and concealment in camouflage
Trudged in rain on mud in cold Balkan winds
To arrive here as if I knew and knew tragedy
Is it too late it must be I know it is late
For winds they come only once and storms are
Frightening and glorious and beautiful all at once
As you, before or since.

If I have not proved, let me prove with the only
Forms I have: not fancy but form and not just form but this:
enticements perhaps, but think them not of me, for that is
Falsity assured; dismiss me still, hate me, reject me
For fade I shall as all shall fade and memory will it too
But none of me retain (reject assured) but retain at least what is left
Then that is all, and all and all, when you uncover it
What you believe you know will not be so and the
Falseness dissolve and bitter cold and night and dark
Will resolve all else and prove '---'
Face 67 - 25sep13 JE


Tuesday, September 17, 2013

...of yellow pads and foolscap...

In The Oxford Companion to the English Language, the term for foolscap puts its origin at "[17c: from a watermark showing a fool's or jester's cap and bells]", in Britain this would be about 17 x 13.5 inches, whereas in the Colony, we are used to the yellow writing paper of 8.5 x 14, also commonly known as 'legal size'.

Why yellow?  There may not be an exacting reference to the use of yellow, but, if we are to follow common sense, the yellow, and a darker one with brown accouterments, is to ease laboriousness on the eyes.  Those over the age of 27 will remember that most paper is seldom stark white.  The brightness of the paper is harsh for any long period of study or writing.  With yellow, especially in the litigious arts, the color enables feeble-eyed law students the ability to pull an all-nighter.  I also find that the size, with that added 'height' of 3 inches, is just enough to keep even the largest hands the ability to rest on the pad without tiring.  Either way, it has lasted over 100 years in its current state (low grade paper, in the larger size, bounded, with a left margin drawn on its side).

Why was it named foolscap?  If we are to take the "unsubstantiated qualifier in wikipedia, it was introduced by a 'Sir John Spielmann' in 1580 at his established papermill in Dartford, Kent.  Having the name spielmann basically means "wandering fool" in German, so it could be attributed to his surname.  However, wikipedia than pushes the date to a "firm" 1479.  Either way, the size and the watermark became one and the same.  This 'folio' size and the imprint, fantastically done with thread sewn into the paper, became matter mixed.

The beauty of the pad is its ability to be scratch and/or finery, depending on what context it is.  It can be torn away, or all pages saved like a functional journal.  The tried and true yellow, with its light colored blue lines is ingrained in our tactile memories.  They have paved the way for the tablet, which roughly follows the form and its function.




Saturday, September 14, 2013

In the Dispersion of a Web

Face XV ~ DeviantArt
A search about the web will find some interesting links and where, in these wilds, where the fruit of our art can be found.

Powder Blue Gentleman:
The unfortunate story is that of a forgotten movie, Powder Blue, of which its only claim to fame is that Jessica Biel strips in it.  Great.  But, this first compendium has gotten some through-put:
Of course there are more than a few books with the same title.  One is a collection of erotic short stories.  Another from a gentleman who writes horror.  Mine is neither erotic or horror, but what an intriguing genre that would be.



Sunday, September 8, 2013

...insanely early geek Christmas list...because now...



Not only the DeLorean, but the < BTTF 1, with retractable tires for flying over Hill Valley.  How precious is mini-fig Doc and Marty?

AMAZON: LEGO BTTF DeLorean Time Machine

No longer virtual, actual blocks.  You'll have to make all the sound effects yourself.
AMAZON: LEGO Minecraft Original Set


THINKGEEK: Star Trek Attack Wing Game
Star Wars has had lots'o success with their miniature 3D flight games.  Time for ST to take wing.  If only I had time to geek out for a few hours drinking strawberry soda and eating Zingers with the buds...those days are long gone.

TOYSRUS: Bruce Lee Fists
Teetering between cool or whah?!  Jury's still out in my mind.  Actually, I'm wondering if they can be used to...what?!  Boy, do you have a dirty mind.  I was thinking of oven mitts.  (On a dog?  NO you sick bastard.)

WALMART: LEGO Mindstorms EV3
Latest Mindstorms incarnation will take it through the next five years for sure.  $350?  That's just a drop in the bucket for you rich boy.

Comes with an ARM9 processor, USB, wifi, micro-SD reader and 4 motor ports.  I'm thinking I can make a robot that can store my pictures.  Although that may not be the best design.  I suck at this.
TOYWIZ: Kenner Vintage SW X-Wing
Doesn't come with a figure though?  Have to figure out which one will fit correctly.  Yeah, they come out with one of these every couple of years, but it comes in the classic 'Kenner' design from 1978.  How can you not crack the thing open and run around the house shooting womprats?  Well, that's just racist.

ENTERTAINMENTEARTH: Sci-Fi Movie Maker
Not sure how this will work, but I love the premise.  You take the pieces of cardboard props and move them around I suppose.  I think it could come off right to an imaginative kid, but then I think you could spend the time making a real movie.  Please use landscape mode people.
TINTOYARCADE: Mini Bakelite WORKING FM Radio
'nuff said!  Had to read it twice to believe it.  Working FM in a little Bakelite.  Hang it on a tree, hang it from your backpack.  You'll be the life of any office party.



FATBRAINTOYS: Water Games
So, like, pre-Gameboy we had these 'pocket' toys to have fun with on the road.  Hours of fun when you have absolutely nothing else to do.  How much time was spent watching the swordfish swing back and forth.  How do you win?  IT'S NOT THE POINT.


{no picture}
WACKYPLANET: Pocket Weather Station
Never thought I'd need one, then I saw it.

OFFICEPLAYGROUND: Solar Powered Cat
Solar power is the way of the future - for, how long do we need a UL-listed plug to keep your lucky cat movie it's little paw?  It's 2013!

RETROPLANET: Vegas Tin Sign
Who doesn't love tin signs, especially one that hearkens back to when Vegas was a series of block-colors.  Love the colors though: I suppose it's 'reminiscent'.

Friday, September 6, 2013

solitary...breathing in the night...no comfort from a sky nonplussed...

how long did I sit here, trying not to think of you
the room has enclosed me, 'cause I wouldn't say 'embraced'
the ashtray is full, the coffee mug stained
and darkened beyond all hope

there shouldn't be anything left for me
no one promised me a thing
no one held me close and whispered in my ear
that this would work out

doesn't mean that I can't hold that ember
in what is an otherwise dark place
hold it close to my vest
and it would provide a reason otherwise
otherwise

                  

If then is what this is, listening to music all night
to try to remember because I almost forgot
I really did, I almost smiled,
but a wind picked up and I saw your hair in the breeze
and your eyes looked at me again
from somewhere
and all came back again
and I ask
when will it end

And if I collected all the songs and loosened them upon your heart
would it strike a chord, where you strike all of mine
with just a thought
fashion's folly am I a fool

Monday, September 2, 2013

...consider giving...

...consider the gifts in your life and how even the smallest gift can impact more than you realize...help feed a child or help give them a step up.  Right now is as good a moment as any...
Fullerton Boys and Girls Club - I have a special affinity for this place, since it kept me off of the streets when I was kid.  They provide children activities and pursuits they would otherwise miss if they just sat locked in an apartment all day.

Sunday, September 1, 2013

...impressions of 'Maestro of the Movie' Hollywood Bowl Saturday August 31st 2013...

The orchestra filed to their seats with only ten minutes to showtime, the evening's event started promptly at 8pm.  A consummate professional, as he is just as prompt: Mr. John Williams, in white jacket and black slacks, comes out to thunderous applause.  Most of the theater took to their feet, since the man is deserving of some adulation after all: he has scored some 100 films in his life, and many, despite the wide chasm of knowledge to orchestral music, will know the familiar themes in some shape or form.  He is a living icon, and tonight's event, 'Maestro of the Movies' at the Bowl, will play to that.  To me, the first half of the card won me over, where the second was for the 'chasm'.

Mr. Williams quickly launches into his first piece, Flight to Neverland, with a soaring video montage of flight in movies.  It includes very early films, like Wings, through to Star Wars and to Star Trek.  Clips of the Reeve Superman delighted many and cheers would ring out.  It's a rousing piece and a great one to start the concert with.  [Although, as you will read soon, there was a dearth of video at the end, more than likely a hint at the recent acquisition of Star Wars by Disney perhaps preventing clips at this particular show.]
We are soon presented by a few words with Mr. Williams and he introduces Mrs. Blake Edwards, or Ms. Julie Andrews.  Ms. Andrews is stunning, as always, and appears stage left with a similar white on black ensemble.  She takes a podium and speaks to the relationship of Henry "Hank" Mancini and her husband of 44 years, Blake Edwards.  They had a unique relationship, he a comedic and musical director, while Mancini was an icon of his time with many familiar and poignant cinema classics.

To start the sequence off, a quick medley is performed with a mix of Mancini's television and movie work.  A great series of clips play-out of Peter Gunn, Hatari and shifting to the movie Charade.  All were a delight to see on the big screen again - especially Charade, since you get to see the best clips of Grant and Hepburn play with only the orchestration.  The orchestra is on point, with the crisp execution being underscored in timing with the clips (there did seem to be a bit of a stumble with one of the theme songs, where it broke with a guitar solo that seemed to falter a bit, but it may have been the intentional timing of the piece).  They are shifting gears quickly, but it sounds great.  My only real complaint is the acoustics of the venue, and more than likely the weather: the air was particularly humid this night, and the sound was a bit muffled.  I felt the lower end was struggling to stay balanced with the high - especially as William's arrangements were very based on brass and timpani.

This launches into some words about other works by Edwards and Mancini - in particular, The Pink Panther.  This is a crowd delight, where the comedic clips of Peter Sellers, in what I still maintain is an undisputed comedic high point of the 60s and 70s, had the crowds more into the video than the orchestration.  These movies should be mandatory for anyone who delights in comedic works - Sellers and Edwards had perfect visual timing.

Not sure in what sequence this was, but Ms. Andrews breaks from the comedy and speaks to her marriage.  This leads to a wonderful clip I had never see before and the interplay between the orchestra and the clip were wonderful.  The clip was the beginning of the first movie Edwards' would direct his new wife, which was Darling Lili and its first number, Whispering in the Dark.  Within the context of the introduction and never had seen the clip (few have, it was a box office disaster for 1970 Paramount) - anyone who appreciates Edwards' work will find this single shot, sparse lighting and haunting melody something of a high point of his career.  I recommend trying to find an HD version of this clip.  When we came back to Ms. Andrews, I almost believed we would see her tearing up.

For the iconography of the night, Moon River, from Breakfast at Tiffany's, would be next.  The glowing introduction, with the story of how the executives of the movie studio hated the song would get a curt retort from Audrey Hepburn, "Over my dead body [will that song get replaced]."  Next, a perfect rendition of Moon River punctuating a series of clips of George Peppard and Hepburn.  This coming out of the beautiful clip of Hepburn performing it lazily on a guitar on her fire escape.

Next, Monica Mancini, daughter of the composer, came out to sing a pitch perfect rendition of Days of Wine and Roses.  If only we could have gotten one more tune of out her!

That wound down the first act, with Ms. Andrews receiving roses from a Pink Panther.  She gave Mr. Williams a rose from her spray.  Then, a smoke break.  [As an aside, my friend Eric was absolutely incensed that Julie did not sing.  Something from anything would have done the trick.  I had to point out, as disappointing as it is, the ticket did make it clear that Ms. Andrews was narrating and not singing.  To be honest, considering the venue and seating, I highly doubt being able to project in such a place.  Remember that her range was incredible and time may have done its worst.  Besides, who knows, perhaps she doesn't sing after her husband died?  Speculation? ]

from Los Angeles Times
I would be remiss if I didn't say that this was a historic event of sorts.  The degree of separation is only off by Ms. Andrews and being orchestrated by a living legend - so, the first act paid off for me.  It was a celebration of these two icons - with Edwards' one of my favorite directors as a child and I listened to Mancini outside of the movies (what would be considered 'musak' today was actually the rotation on 104.3 KBIG back in the late 70s).  I listen to Mancini as I would many other jazz musicians from that time.  Overall, the first act was fifty minute exactly, and they filled it in with a fulfilling variety of pieces, asides and video that paid homage to a variety of themes.

The next act was 'for the fans'. 

Mr. Williams started off saying that he would like to explore a bit of Indiana Jones, to the applause of the Bowl.  In that, he started off with a series of fun clips, which I believe was the 'Scherzo' piece of the films (don't have the notes with me).  It then led into Marion's motif from the first movie Raiders.  I have to say that was a favorite of mine and nice to hear the orchestration unimpeded by the movie.

Beyond that, we get treated to a funny Lego clip of how Mr. Williams is 'inspired' in his collaboration with George Lucas.  It's a great clip with Darth Vader leading him on the piano with the familiar theme "dum-dum-dum da-da-da dum-da-dum".  This launches a couple hundred light sabers to go up in the audience, with the orchestra smiling and staring out into the cacophony of light.


Interestingly, as stated before, we have no clips.  I hope that Disney reconsiders providing it for such events - since it's what the people want to see.  But, for the majority of the second act, we only have the Indiana Jones video, nothing of Star Wars or E.T.

The only other highlight to speak of is that, on the second encore (of three), he delighted me with piece Yoda's Theme.  Now, if I can make a pitch.  Back when Empire came out, the break from the space pop was a genre-shifting twist, especially for the generation of kid's at that time.  With it, beyond just being a solid movie, it had an incredible soundtrack. I would listen to that cassette probably a hundred times all the way through.  If you enjoy Mr. Williams work, I would suggest the investment of the full sountrack and do something we don't do nearly as much anymore - just listen to it without distraction.  Don't go running, don't read a book, just sit in a dark room and listen.  It is a delight of a soundtrack and he finds the right notes in the film.

Listening to Yoda's theme, there is a majestic quality: a transcendence of the form they are working in.  It calls a back story to Yoda that is implicit, and that is what Williams does best here.  He is additive to the story with Empire - not just underscoring moments.  His ballad and quieter motifs do this in all his works.

He ends off with E.T.

Overall, a tremendous performance and a 'fun' night.  How many orchestral moments will you be able to say that with?  I love the concerts I've been too and gotten the visceral needs from it, don't get me wrong.  But to have a living legend perform the songs that are part of our DNA is simple, geeky fun.

Now, to my friend's concerns, he wanted more.  There was Jaws, there Close Encounters...yes, so many.  However, the ticket was clear as it being Star Wars.  Personally, I could have used Schindler's List, Saving Private Ryan and other personal favorites - but it's a two hour show and an 81-year-old man.  Let's let him rest up since he hinted at 'being here next year and playing you pieces from the new Star Wars'.  There's nothing wrong with that statement and I'm at peace hearing what I heard tonight.

from Wikipedia