Wednesday, July 27, 2011
...people in the summertime want sonnets...
Monday, July 4, 2011
...cliche: 1890s term as either stereotype or stencil...
Sunday, July 3, 2011
..sasom i en spegel...von Sydow...
Sunday, June 26, 2011
...mög Gottes Engel mich dir zeigen!...
Reading through the healthy introduction to "The Epic of Gilgamesh" (Penguin, Sandars, 1972) it is fascinating that the epic nature of the hero follows a structure that should be familiar to all. The story's origin stretches to the third millennium B.C. and yet, some 4.5 millennia later, I can hold the story in its most complete form - as was pieced together by extant sources over a period of many decades.
The hero of this tale was one of the early kings of what is now Iraq. He is great, with all of the fearless qualities that we inherently seek in a leader. He conquers - but ultimately cannot conquer death. So he sets himself on the road to immortality.
The story, as pointed by the editor, divides itself as "a meeting of friends, a forest journey, the flouting of a fickle goddess, the death of the companion, and the search for ancestral wisdom and immortality" [sec 5, pg 22]. I thought immediately of Lord of the Rings - but, the end of the journey for Frodo was to not search for wisdom, but ultimately destroy it. The Ring created chaos, in that the gods and man were too familiar. Man thirsted for power and immortality, but it would end in death (for himself and those around him).
It is interesting to note that the conceptualization of Heaven and Hell derive from very ancient analogies. Sumerians believed in righteousness as a token for the place where all heroes go - the Babylonians believed in Hell as a place where the "dust is their food and clay their meat, they are clothed like birds with wings for garments". It was from the latter and to the former that Gilgamesh suffered for after the death of his friend, Enkidu.
What comes to mind in both these cases (although I'll suffer a nerd branding), is the episode of TNG, "Darmok" where an alien puts himself and Picard in harm's way to physically and temporally make an allegory similar to Gilgamesh and Enkidu. That's science fiction at its best for me: pulling the ancient forward to the technologically enmeshed present.
One wonders if the hero's epic journey is fulfilled in our own.
Friday, June 10, 2011
...deviantArt photo postings...
...added a new photo for purchase at deviantArt...
"Pirate in the Morning" was not staged. It was actually something I stumbled on in the wee hours of the morning last week. Obviously, the toys are strewn about the house, but this little guy seemed like he was off to war.
Monday, June 6, 2011
...in restless walks she'll prowl the night...
Monday, May 23, 2011
...they've made their supper and opened wide the windows...
The wife moved without a sound. She never did, thought her husband. He rubbed the back of his neck and produced flecks of small concrete. His callous hands rubbed against his shirt. He shifted from one leg to another, standing at the far end of the kitchen.
He asked her politely if she needed him - he was always looking for ways to be of help. She equally refused. She set out the dishes, the utensils, the food. It was all down without the need of anyone. It would have impeded the day.
They sat and did not look outside. The meal was capable. It was a chicken dish. There was rice pilaf. There was watered down grape juice.
The husband talked about the weather that week. For once he put a relish into the description that the wife found herself clinging to. She looked at him without pain, without admiration. She could sense the house around her - it was their life's work.
There was the grass that was mowed and pawned over. Corners where the dirt was swept bi-weekly. A corner of the attic where little rocks from Truckee were kept, not for any reason. There was fine china, just a single set, from their wedding. (Only an aunt from Trenton came to visit.)
She sighed. His voice was measured for a time, but stopped as if he couldn't figure out the next word.
A rumbling came in the distance. The house begin to shake. Outside the world was darkening. The two did not move from their seats.
They closed their eyes and the husband reached across the table for her hand and found it. The end came in a screech - no longer than a quarter of a breath. The articles of the house broke into their basic states. They were quickly no more.